The rbb has the premiere of the fifth season Chez Krömer put one of these completely pointless surveys in the YouTube chat, in which everyone should participate, although no one is interested in the result. “What do you think: In which category does Stuckrad-Barre fall?” Asks the rbb and offers three options – friend, asshole or “a completely new category”.
On the one hand, this follows the basic idea of this very good format, whose host Kurt Krömer admires some of his guests and despises others. On the other hand, the question answers itself before the stream begins. “A whole new category”, that applies to a lot of what the full-time writer Benjamin von Stuckrad-Barre does and what makes him stand out.
Most recently, however, Stuckrad-Barre was active in the media and scandalous location of Germany central figure in the handling of Julian Reichelt as editor-in-chief of imageso central that one could wonder what it sounded like at breakfast tables in Brooklyn or Queens when people left each other New York Times Read aloud and then stumbled across the name “Stuck-räd-Bärrie”.
“Isn’t that Rudi-Dutschke-Strasse !?”
So there was plenty of popcorn in the bag when Krömer went to the Stuckrad bar Premiere of the new season. And for the record, Krömer’s tentative attempt to question Stuckrad-Barre about the Springer affair may at least be noted. “There’s a lot going on at Springer right now,” said Krömer. “Yes, I don’t know, yes?” Replied Stuckrad-Barre. He’s currently writing a book, so he doesn’t always read so much else. Any more questions, anyway?
Krömer said: “You can’t talk about it now, right?” Stuckrad-Barre said: “What?” Krömer says: “If I were a lawyer now … I would maybe even tell you … the legal situation in the Springer case is very, very mined … don’t say anything, nothing at all … that is the only protection that you have “. At that moment the television theater director played the tune of the Lindenstrasse a. Stuckrad-Barre said: “Isn’t that Rudi-Dutschke-Straße !?”
The fact that Rudi-Dutschke-Strasse meets a real Lindenstrasse in Berlin where Axel-Springer-Strasse also goes off is a whole new category of suggestive wealth. To be continued, in all respects.
Cornelius Pollmer loves Helmut Dietl’s film “Late Show”, especially its last scene. In a talk show hosted by Thomas Gottschalk, the group pulls over German television. For him, the best thing about it are “animal films anyway”, states one guest – and Veronica Ferres, sitting opposite, confirms, “They are so human!”