Toshiki Okada’s “No Horizon” at the Thalia Theater Hamburg – Culture

In Toshiki Okada’s “No Horizon” in Hamburg, souls tortured by capitalism flee into a perfect, virtual world. That sounds cheesy, but it’s a real encouragement.

Finally there is the Christmas fairy tale for gamers in the analogue world. It’s set in the best of all multiverses, where even hairstyles from the seventh dimension can be obtained at no extra charge. “No Horizon” is the name of this home for avatars. There is nothing threatening here, except the memories of the reality from which New Pollu, Covfefe, Space and Kudodes fled to be completely happy in a digital playground. Their names float next to them, which is very helpful, at least in Kudodes’ case, because he has chosen the “No Appearance” option and therefore cannot be seen by the other guests in the universe of unlimited possibilities. Except from space, because she has the ability to detect tiny pixel defects in his aura that tell her his whereabouts.

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