With Tobias Staab, the Munich Dance Biennale Dance has a director who is widely interested. He is a DJ, dramaturge, curator, artist and director. Why this is good.
People know him in Munich: Tobias Staab, the new guy at the helm of the Dance Biennale. As an organizer of club events, as part of Richard Siegal’s “Ballet of Difference”. And as one of those who opened the Kammerspiele to dance and music under Johan Simons. But Staab, who studied theater studies, philosophy and modern German literature at the LMU, actually started out as a journalist and co-founded the art newspaper “Super Paper”, which – thanks in part to Mirko Borsche’s graphics – can now be admired in the Pinakothek der Moderne.