Director Ruben Östlund became internationally known with “Force Majeure”. His new film “Triangle of Sadness” is ultimately about the same question: What does masculinity actually mean nowadays? Time to ask him what he found out.
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Johanna Adorjan, Campos
“Moment,” calls a man’s voice from one of the ocher-colored houses in Campos, a small town in the south-east of Mallorca, where all the houses are ocher-colored. The shutters are closed. A women’s bike with a basket is parked in front of the door. It’s an early morning, early September, and the sun is beating down. There are noises inside, then the door opens and Ruben Östlund appears. He looks like a model for casual looks. Hair falling casually on the forehead, short beard, tanned skin. Linen shirt, light trousers, Birkenstocks.