Was it the triumph of Tre Piani in Cannes or the victory of the Azzurri in the final of the Euro? Nanni Moretti no longer felt joy after the ovation received for Tre Piani screened Sunday evening in competition? And all smiles at the press conference. “The pandemic made us discover that we couldn’t live alone and needed human contact,” he said.
Nanni Moretti, happy with the screening of #TrePiani pic.twitter.com/3VqKZZ9Zsk
– Vié Caroline (@Caroklouk) July 12, 2021
His film tells the story of several families living in the same Roman building. “There was no question for me that Tre piani be sold to a platform even if I had to wait a year for the film to be released! I refused to hear the proposals that were made to me on this subject. For me, cinemas are essential. He himself owns one in Rome.
Tim Roth, Juho Kuosmanen and Ryusuke Hamaguchi do not lose the north
Although he was originally British, Tim Roth did not watch the football match on Sunday night. “I don’t care a bit since I live in the United States,” he told 20 minutes. He preferred to go to the screening of Bergman Island, the film by Mia Hansen-Love in which he plays a filmmaker who came to seek inspiration on the island where the great Swedish filmmaker shot and lived.
Tim Roth and Mia Hansen-Love, actor and director of the exotic #BergmanIsland @Festival_Cannes @panciutello @films_dulosange pic.twitter.com/69nbXZVG5v
– Vié Caroline (@Caroklouk) July 12, 2021
“Usually, I don’t like to see myself on screen, but I enjoyed filming on the island of Faro so much that I wanted to see this wonderful place again, while avoiding looking at myself. »At 20 minutes, we took great pleasure in seeing him in this film which hits theaters this Wednesday.
The second film by the Finnish Juho Kuosmanen brought to the Croisette a wave of freshness full of contrasts: Compartment 6 pits a young Finnish girl on her way from Moscow to an archaeological site in the Arctic Sea. And here she is embarked in a disturbing closed-door train with a stranger a little rough, whose compartment she must share … “The most difficult was to remain stable to film this story in motion”, told Kuosmanen on the carpet. red.
Another initiatory road trip: Drive My Car, the longest film in the competition (2h50). A real crush in which we meet Chekhov and ghosts. Heralded as the adaptation of a short story by Murakami, Ryusuke Hamaguchi’s film is actually, as the filmmaker told 20 minutes, “The adaptation of three short stories from the same collection, Men without women ”. We travel in a Saab 900 turbo red to the far north of the Archipelago in this very Japanese film against a background of guilt, doubts and self-sacrifice. We will talk about it again for its theatrical release on August 18.
Anaïs Demoustier and her loves
Film as light as a champagne bubble, The Loves of Anaïs allowed Charline Bourgeois-Tacquet to have “the immense honor”, as the young director says, of celebrating the 60th anniversary of Critics’ Week, the oldest of the festival’s parallel sections, in the company of Roselyne Bachelot or Emmanuel Carrère.
Interview | Charline Bourgeois-Tacquet, director of / director of LES AMOURS D’ANAÏS # SDLC2021 https://t.co/BYsyAW82DO
– Critical Week (@semainecannes) July 12, 2021
French actress Anaïs Demoustier plays the role of Anaïs alongside Denis Podalydès and Valéria Bruni-Tedeshi in this film “never at rest” and which is presented as follows (which makes you want to): “Anaïs is thirty years old. and not enough money. She has a lover she is no longer sure to love. She meets Daniel, who immediately pleases her. But Daniel lives with Émilie… who also appeals to Anaïs… ”This film, which nicely explores the menu of Tendre, is released in theaters on September 15th.