Even as the scene is playing and the coldness of heart that is at stake is clawing its way into your skin, you sense that these minutes will be one of the highlights that German cinema will have to offer this year. Two actors, great artists in their field, are sitting at a dining table, Corinna Harfouch and Lars Eidinger play mother and son, for the second time after Hans-Christian Schmid’s “What Remains” from 2012.
“Dying” in the cinema: Lars Eidinger’s new cinema Film – Culture
