Batic and Leitmayr investigate among orchestral musicians. The fact that the suspect does not know exactly what is real should make things exciting. But it doesn’t work.
It is no wonder that the Sunday evening thriller is gradually running out of material – at some point everything is over. Perhaps this emergency explains the trend to expand the subject area and expand it into the subconscious or dreamy; maybe there is still something to get there. in the crime scene Munster recently the Professor Boerne (“Karl-Friedrich with a large ego”) was temporarily promoted to the great spirit, in the first Munich Police call With the investigator Elisabeth Eyckhoff (Verena Altenberger), the desired expansion of consciousness was brought about through hypnosis, into which a traumatized boy was placed. Only a few weeks ago the investigator went to the crime scene Dresden on a psychedelic trip. And in “Murot and the Groundhog” Murot was shot, but investigated further.
That you can get lost in your self-staged dream worlds is shown on Sunday in Munich crime scene by Boris Kunz (book Moritz Binder / Johanna Thalmann). The young orchestra violinist Marina Eeden (Jara Bihler) claims to have murdered a friend, but doesn’t know whether she just dreamed it all. The episode is not just called “Dreams”, but deliberately grandiose “Dreams”. And the names on the staff panel also make a grandiose impression: Marina Eeden, Lahja Åkerström and – attention – Dr. Deah. Whoever is called like that could also organize a new edition of the Love Parade.
The dream dress that the plot got does not fit in the back or front
Sleep researcher Dr. Deah (Katrin Röver) has office hours, she explains the phenomenon of lucid dreaming to the inspectors and describes that high performer like Marina optimize her performance in a dream. Because that’s what it’s essentially about, the brutal competition among orchestral musicians. But because that’s not enough as a plot, they put this dream dress on the whole thing, but it doesn’t fit in front or in the back.
Young high performers utter terrible clichés. “You need screen time for that – and there is screen time for winners.” And Batic and Leitmayr (Miroslav Nemec and Udo Wachtveitl) push their way through the panorama like Schlafes brothers and try, eating biscuits and routinely joking around, to give support to a story that has lost its grip. What’s great: the soundtrack from the Munich Radio Orchestra. Of the crime scene this time is more something to hear than to see. That speaks only to a limited extent for him crime scene.
The first, Sunday, 8.15 p.m.