The Cult of J. Edgar Hoover

J. Edgar Hoover, we’ve always assumed, became the most powerful unelected American of his time because he had the goods on everybody: the mistresses, financial shenanigans, and underworld connections of presidents who might fire him and legislators who might investigate him. Two new books about the longtime FBI chief make you realize that there was something else as well. Hoover’s half-century of immense influence rested on his mastery of a very American art—the crafting of his image.

In the Yale historian Beverly Gage’s lengthy and judicious G-Man: J. Edgar Hoover and the Making of the American Century, there are few facets of Hoover’s career that go unexplored. By contrast, Lerone A. Martin’s The Gospel of J. Edgar Hoover: How the FBI Aided and Abetted the Rise of White Christian Nationalism is more of a prosecutor’s brief. Martin, the director of the Martin Luther King, Jr., Research and Education Institute at Stanford (a copublisher of King’s papers), focuses not just on Hoover’s notorious racism but also on his promotion of a distinct brand of conservative evangelicalism. Despite their differences, however, both books document the prodigious effort Hoover put into self-promotion. The FBI director would leave behind more than 200 boxes of press clippings.

Hoover grew up in a lower-middle-class world far removed from glamorous headlines. His father, after failing to make ends meet working in a shoe shop, became a printing foreman in a government agency but long struggled—at one point in an asylum—with what was then called “melancholia.” In response, the young J. Edgar became ferociously determined to succeed, working by day while getting his college and law degrees at night. He then immediately joined the Justice Department, and in 1919, at the remarkably young age of 24, he got his first big break: an appointment to head the department’s new Radical Division just as the nation was in the midst of its first Red Scare. Ignited by the revolution in Russia and labor militancy at home, this period saw public hysteria and government prosecution directed against anarchists, socialists, and communists—and Hoover was there to do his part.

An early sign of his eye for media coverage appeared in 1920, when Hoover invited half a dozen journalists along on one of the notorious Palmer Raids against radicals that he personally led. He was rewarded when a newspaper reported how the intrepid raiders raced over the snow-covered streets of Paterson, N.J., in “a large bobsled drawn by two fast steeds” to catch their dangerous quarry. Another part of skillful PR is knowing when to keep your name out of the papers, and one suspects Hoover’s agile hand as well in stories vilifying the groups targeted in the raids, such as a New York Times article based on information “from an official source in Washington.”


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