Der Critics Choice Association (CCA) gab die Gewinner des achten jährlichen Wettbewerbs bekannt Critics Choice Dokumentarfilmpreise bei einer Galaveranstaltung in New York City. Dennoch: Ein Michael J. Fox-Film nahm insgesamt fünf Trophäen mit nach Hause, darunter die höchste Auszeichnung des Abends für den besten Dokumentarfilm. Die weiteren Siege des Films waren „Beste Regie“ für Davis Guggenheim, „Bester Schnitt“ für Michael Harte, „Beste Erzählung“ für Michael J. Fox und „Bester biografischer Dokumentarfilm“.
Die Critics Choice Documentary Awards würdigen die besten Leistungen
Rebecca Loos seesaws between irritation and jaw-tensing annoyance as she watches David Beckham on Netflix recalling the aftermath of their affair.
The former England captain speaks haltingly as if every well-chosen word requires careful extraction. It is what he doesn’t say, though, that dismays Rebecca.
It is almost 20 years since his former aide detonated a media frenzy like no other when she went public with details of their relationship.
It didn’t draw much of a response from Beckham at
David Beckham is taking a trip down memory lane and sharing the good, the bad and the ugly.
In the newly released Netflix docuseries “Beckham,” the legendary soccer player shares how he was first introduced to the sport, his romance with his wife “Posh Spice” Victoria Beckham and how family is the most important thing to him.
The four-part series, directed by Fisher Stevens, includes present day interviews with David, Victoria, David’s parents and past teammates. Stevens illustrates everything from
For five months after Halloween of 2007, more than 300 locals living 80 miles southwest of Dallas/Fort Worth in Texas began reporting something strange in their skies: a giant ‘delta-shaped’ UFO.
Estimates of its size ranged from ‘over 300 feet to one-mile-long,’ as the large ‘V-shaped formation,’ sometimes seen with seven orange-red lights, hovered above campfires, cruised past major highways and sped silently across the horizon.
Now, Netflix’s new UFO docu-series ‘Encounters,’ which premiered Wednesday, has delivered fresh details on
Newly released emails have unveiled the extraordinary lengths Prince Harry and Meghan Markle’s team went to pull off the couple’s high-profile visit to New York City in 2021.
The files, obtained by DailyMail.com via a FOIA request, show how the Sussexes’ high-powered aides had pulled strings behind the scenes to ensure they were presented in a positive light during a series of public appearances that were filmed for their $100million Netflix documentary.
For one of the stops in their three-day
Meghan Markle’s latest trip to watch Beyonce in concert may have been more business than pleasure, after she was spotted mingling with the boss of Netflix.
The Duchess of Sussex was seen sat next to the streaming giant’s CEO Ted Sarandos, and his wife, Nicole Avant, at the SoFi stadium in California on Monday night.
One topic of discussion may have been husband Prince Harry’s Invictus Games documentary, which was branded a flop having failed to make Netflix’s top ten
The Prince of Princess of Wales have posted a sweet message on social media this afternoon – but it has nothing to do with their sister-in-law’s birthday.
Princess Kate and Prince William, both 41, used their Kensington Royal Twitter account and their joint Instagram page to praise the documentary team behind the film Rhino Man, which has been shortlisted for a Jackson Wild Media Award.
But as Meghan Markle celebrates her 42nd birthday, there has so far been no mention
Jess Search, a producer on dozens of important documentaries and a catalyst on many more as one of the directors of Doc Society, a nonprofit organization she helped found in 2005 that supports documentary filmmakers, died on July 31 in London. She was 54.
Doc Society said in a statement that the death, in a hospital, was caused by brain cancer. Search had announced last month that she was stepping away from the organization because of her illness.
Search had
In a world of shifting, new technologies, how do we stay connected with one another? That’s one of the questions at the heart of “Rachels Don’t Run,” a short film directed by the French American filmmaker Joanny Causse. The film takes place entirely in an empty office, late at night, some time in the near future. Leah (Sera Barbieri), a customer-support agent for an A.I.-companionship company called Iris, sits alone at a sparingly lit desk, monitoring calls and dealing with
The veteran French filmmaker Claire Simon’s new documentary, “Our Body,” explores the lives of patients and doctors in a women’s hospital in Paris. Nearly three hours long, it is a work of vast emotional scope, and Simon, who worked as a film editor in the nineteen-seventies and eighties, endows it with a grand conceptual framework to match, moving from conception and birth to old age and death, and from the observational to the confessional.
Now in her late sixties, Simon
