Eugenics, Environmental Ruin, and Surveillance: The Story of Silicon Valley

In the opening pages of his magisterial Bay Area history, Imperial San Francisco, historian Gray Brechin presents his book as an attempt “to answer the question raised by the kind of cities we build today: Are they worth it?” It’s a deceptively simple question, and it reemerges when we discuss San Francisco and its discontents.

From the city’s earliest days, visionaries looked at San Francisco and saw an heir to Rome. Brechin points to Army scout John C. Frémont, who said he named the bay’s mouth “Chrysopylae (Golden gate) on “the same principle that the harbor of Byzantium (Constantinople afterwards) was called Chrysoceras (Golden horn).”

Brechin also discusses Emanuel Leutze, who painted a mural on a wall in the House wing of the Capitol called Westward the Course of Empire Takes Its Way, which depicts settlers seeing California for the first time. “To Leutze’s cultivated sensibility, these were more than settlers entering California,” Brechin writes, “they were both the Israelites entering Canaan and the holy family of the New World.” Brechin describes a party attended by Leutze where the painter concedes that the mural’s historical references might be lost on some and that its Catholic symbols could offend others, but he contends all the attendees grasped his intention.

“All could understand the divine justification for empire’s expansion,” Brenchin writes. “As if to emphasize that this was a literal shrine to the religion of territorial conquest, the artist included a long panel at the bottom of the mural resembling the predella of a Renaissance altarpiece.” Rifles, axes, plows, powder horns, Native American trophies, crossed shovels, pickaxes, revolvers, and gold littered the mural as well. “No pent up Utica contracts our Powers, but the whole boundless Continent is ours,” reads the inscription by the mural’s weapons.

In Imperial San Francisco, the land outside of America’s Rome is reframed as a contado—an Italian word (and another nod to Rome) for a land that “contains other cities and villages that owe tribute to the dominant city.” To Brechin, imperial cities, like San Francisco or the District of Columbia, command contadi that stretch much further; they demand tribute from nations, continents, or even the entire planet. “The difference is one of size as well as consequence,” Brechin writes, “just as the mighty Maelstrom differs from a mere eddy.”

The book does not call on us to abandon cities. It does not wave away the pleasures and benefits of living close to others, but it refuses to pretend that the costs are small matters. We must grapple with the history of urbanization, especially when we are tracing forces that exterminated natives, reshaped the land and waters, drove people together, and then repeated that process for lands further and further away.


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