Someone might have to quickly hit the buzzer and resolve, “Beyoncé, naked. Almost, at least.” But no one buzzes and that’s why the gigantic video screen, which fills almost the entire back of the stage, is now turned tile by tile memory-like, which, like celebrities on private television at the end of the 90s, is still being done in parts reveals a hidden motive.
Beyoncé in Cologne: warrior of exuberance – culture
