A lifting platform rises in front of a huge canvas, a small man stands on it, it is Anselm Kiefer, the “great artist”, as he is often called. Wim Wenders had the camera set up. He wants to get to know the painter and sculptor through his work. A film “without opinion” should be “Anselm – The Rushing of Time”, said Wenders at a screening in Munich, the opinion was “the most useless thing”. That’s why he didn’t do any interviews, but instead relied entirely on his intuition, which probably doesn’t work as an opinion among major artists.
“Anselm – The Rushing of Time” in the cinema: The canonization – culture
