The beginning is nice. Simple and clear. He plays in front of the Iron Curtain in the Cuvilliéstheater. Robert Dölle and Florian Jahr open the small door from the stage, look outside, shrug their shoulders. Then they slip onto the narrow strip of the front stage and the light suddenly changes. The two stand in a square light portal, with rain projections around them. They start a conversation in which one, Dölles Higgins, mumbles the words of the other, Jahrs Pickering. It’s about the weather, cell phones, their jobs, a woman. Here you go: two cis men at work. You quickly understand that, but the work is supposed to take time.
Theoretical in practice: “Pygmalion” in the Cuvilliéstheater – Munich
