Such a reckoning with the privileges and narcissistic demands in the better echelons of the cultural industry has not come from one of the most prominent representatives of this company for a long time. The director Milo Rau, director of the Belgian municipal theater NTGent and designated director of the Vienna Festival, analyzes the damage, politically correct contortions and woke sensibilities of his milieu as a form of loss of reality in his latest book “The Reconquest of the Future”. As an example, the director cites the internal etiquette at the Zurich Schauspielhaus, one of “the most privileged places on the planet,” where he of course worked himself.
Milo Raus criticizes the cultural sector – culture
