It looks like Sisyphus in Berlin shouldn’t just be imagined as a happy person, as has been the case since Camus. But as an older gentleman from Japan who leaves his large stones wherever he likes in the Hamburger Bahnhof, the so-called National Gallery of the present: one on a mirror plate, so that one is amazed at how it couldn’t get any cracks, and another on a mirror plate that may have had a few decorative cracks. The stone was deliberately dropped here.
Lee Ufan retrospective at the Hamburger Bahnhof in Berlin: steel, stones, shards – culture
