Old dispute under crime scene– Experts: How much personal information about the Commissioner and Commissioner may please be included in such a story? in the crime scene Franconia, for example, they dose them very finely, Commissioner Paula Ringelhahn cannot shoot. And this very personal peculiarity resonates again and again in the stories and affects their dramaturgy, but the cases still stand for themselves, the crime novels do not explore the depths of the investigator. But they still work because they are usually good stories crime scene Francs.
At the crime scene Dresden, now with Commissioners Gorniak (Karin Hanczewski) and Winkler (Cornelia Gröschel), a story will be told on this Sunday that has to do with Gorniak’s personal past, i.e. with their processing of a traumatic experience in which a town with the bitter-sweet name is also Pesterwitz occurs. So far, so good: Karin Hanczewski, for whom the episode “Invisible” is tailored, of course fully bears this weight as an actor and is supported by Martin Brambach as commissariat manager Schnabel, who with his down-to-earth nature keeps telling the story down to earth fetched back – or at least tried to. “I have bad suspicions,” he says, at least that sounds understandable in its mixture of perplexity and fear. It’s about the perfect murder with invisible nano-particles (“this nano-stuff”, growls Schnabel): A young woman has been put out of the way in this way, and then Gorniak also has symptoms. A stalker also preaches tinny on them.
The investigator, at the mercy of her feelings of guilt, is also overwhelmed by the underhands of future technology. Now the basically great director Sebastian Marka and his writer Michael Comtesse overload this already multi-layered story; at some point she groans among herself. Diagnoses are made: “That is the reason for the combined sensory and autonomic neuropathy and, depending on the dosage, the sudden cardiac arrest.” Digital scavenger hunts are organized, psychedelic trips have to be survived, horror visions flicker. A lot of material to stay in the picture for almost ninety minutes. Too much material.
The first, Sunday, 8.15 p.m.