Claudia Michelsen about a youth without Western television, abuse of power on the film set – and why she finds her daughters’ generation so wonderful.
Anyone who only knows her as a commissioner is missing out. Claudia Michelsen is one of the most diverse actresses in the country. Her Caterina Schöllack has the greatest popularity in the ZDF series Ku’damm brought in, this radically up-and-coming businesswoman and mother with a hint of 1950s comedy. Most recently she was in Aelrun Goette’s feature film about the fashion scene in the GDR In a country that no longer exists to see, and in deadly serious improv comedy The funeral. In the Police call 110 from Magdeburg, she has been investigating for ten years now as Doreen Brasch, who often seems to be surrounded by great silence, but also has a rock-hard Schimanski-like quality about her.