Foreign cultural policy: The third of two pillars – culture

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Paul Munzinger

Anyone who reads the annual reports of the Goethe Institute or the German Academic Exchange Service (DAAD) describing foreign cultural policy will find terms that could not sound nicer: exchange, encounter, network, eye level. And the common goal of German-African museum talks, media projects in Hungary or a tea house in Beijing – all paid for by the Goethe Institute – is even higher. It’s called democracy. “Foreign cultural and educational policy,” writes Johannes Ebert, General Secretary of the Goethe-Institut, “is an investment in democracy.”

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