What We’ll Be Celebrating When Harriet Tubman Appears on the 20-Dollar Bill

Every single image staring back at us from US paper currency tells a story. Taken together, these images form a narrative about the nation, its values, and its people. Until recently, the story of symbolism on US money has been one of how white America has racialized the mythology of the nation in its own image and interests. Currently, the images on US permanent paper money portray no women, no people of color, no Native Americans, and no working-class people. The images on the money, like our monuments, statues, street names, and geographical place names should be seen as contested territory.

In a history-making step, enslaved-liberator and abolitionist Harriet Tubman is scheduled to appear on the $20 dollar bill around 2030. Despite the reluctance that was clearly evinced by former president Donald Trump to proceed with the project, Treasury Secretary Janet Yellen has affirmed that security and design are moving forward and the $20 bill and other paper currencies ($5, $10, $50, and $100) with new images will be produced in the period between 2026 and 2034.

For most of US history, representations of women and people of color were rarely considered for inclusion in formal symbols projecting the nation’s origins and ethos. As a result, the overwhelming centrality of white men in official US narratives has perpetuated distorted or false versions of the nation’s political and racial history. In the process, both whiteness and maleness have long remained prerequisite conditions for access to privilege and power, while the struggles of “others” who have fought for freedom have been marginalized. This process—perpetuated from the days of ­settler-colonialism to the present through education, media, law, monuments, and the nation’s money—has indoctrinated generations to internalize the racist view that “American means white.” “All others,” Toni Morrison once said, “must hyphenate.”

Tubman fought for liberty and equality her whole life. Constantly underestimated, she risked her life and freedom on countless occasions to liberate others, and until her last breath remained committed to building a political system that endowed women and people of color with the same rights as white men. She never sought fame or riches for her efforts, only the justice and fairness that she believed was a right of all.

During the Obama era, a movement emerged to place women on US currency, and Tubman’s image was overwhelmingly favored as the lead choice. This took place even though Tubman’s relationship with the women’s rights movement—and its perception of her role in it—have both been complex and at times even contentious. For many, the way Tubman has been perceived by some in the broader white-dominated women’s rights movement has revealed the single-issue focus problematic that the intersectionality approach seeks to address and overcome. For Black women, liberation has involved confronting multiple forces of oppression, not just those that target their gender, a matter the larger feminist movement has been slow to address. Women of color, whether they identify as feminist or not, have long understood how the oppressive power dynamics of race, class, gender, and sexual orientation collectively define their lived experiences and socioeconomic status. How the women’s movement during Tubman’s lifetime understood these overlapping identities zigzagged politically and set the context for her engagement with it.


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