Tag: free world
How Britain Wants to Rebuild the World
With Russian President Vladimir Putin’s forces bogged down in Ukraine, apparently unable to defeat one of the poorest nations in Europe, and China locking up millions of people in a seemingly never-ending battle to contain COVID-19, the once-ubiquitous idea of inevitable Western decline has suddenly been called into question. Out of nowhere, the free world once again stands for something, and is even showing signs of shaking itself out of its decades-long torpor.
That, at least, is the message
A Solution to China is the West’s Biggest Challenge
Defenders of the West have a tendency to gaze wistfully at the past, lamenting how far today’s leaders have fallen. Where America and its allies used to build things, create institutions, and win wars, now they seek only to hold ground, conserve what they have, and escape conflicts.
Such nostalgic longing isn’t hard to understand. Immediately after World War II, Europe was in ruins, its industries and infrastructure destroyed. Without American intervention, much more of Europe could well have
How to Misunderstand the Israeli Palestinian Conflict
In the imagination of the Christian West, Jews have been forced to fill every role. For 2,000 years, they have been seen as the ultimate shape-shifters: craven, feeble, abject, weak, and humiliated, but also powerful, conspiratorial, and demonic. They are the prime, indeed fatal, danger to the societies in which they live: arch-capitalists and arch-revolutionaries. Jews are a symbol, a metaphor, an essence. So it should come as no surprise that the state of the Jewish people, where almost
Amanda Knox: ‘My Identity Continues to Be Exploited’
Does my name belong to me? Does my face? What about my life? My story? Why is my name used to refer to events I had no hand in? I return to these questions again and again because others continue to profit off my identity, and my trauma, without my consent. Most recently, there is the film Stillwater, directed by Tom McCarthy and starring Matt Damon and Abigail Breslin, which was, in McCarthy’s words, “directly inspired by the Amanda