Rowan Lascelles, if appearances and lineage were the only measure of a man, looked to have it all. A distant cousin of the King, he has a distinguished aristocratic name and an ancestral home that is one of the architectural treasures of Britain, with a world-class collection of artworks.
Almost exactly 23 years ago, Lascelles was one of 25 figures assembled in a unique photo montage created by the magazine Country Life to commemorate the 100th anniversary of Queen Victoria’s
I’m going to miss The Crown. At its best, it has been alternately soothing, nostalgic, and educational, and even at its worst, it has always been well acted and gorgeous.
Unfortunately, the second half of the sixth and final season is very much The Crown at its worst. These six episodes, released yesterday on Netflix, are an unfocused canter around the paddock of the late 1990s and early 2000s: Prince William turns 18, Prince Charles finally makes an honest
The Crown has recreated Princess Diana and Dodi Fayed’s final moments before their fatal car crash in Paris in 1997 – right up until the point where their car entered the Pont de l’Alma tunnel.
The harrowing scene comes at the end of episode three of the sixth and final season of Netflix’s royal drama which landed on the streaming service this morning, when Diana (Elizabeth Debicki) and Dodi (Khalid Abdalla) get into a car outside the Ritz Hotel in
The Royal Family “are the Kardashians with crowns” as the public see them like “light entertainment”, a royal commentator has said.
Australian commentator Angela Mollard claimed young people now engage more with the drama and less with the history of the Royal Family.
She wrote in a column for the Mail: “We might not have quite the reverence we afforded the late Queen Elizabeth, but Megxit, Spare and The Crown have repositioned the royals as light entertainment for a generation
It is a scene of celebration and harmony, which is a far cry from the recent turmoil of the Royal Family caused by the rift with Prince Harry.
But hit Netflix series The Crown has been spotted recreating scenes of the Queen’s Golden Wedding celebrations in a new film shoot.
A picture of the shoot, filmed in Greenwich in south London, shows a whole host of top members of the Royal Family gathered together at the celebrations that took place
The Crown’s fifth series may have been blasted for fictionalising controversial storylines – but many of it’s filming locations are real beauty spots across the country.
Online entertainment experts Slotbox have now revealed the most Instagrammable filming locations in the popular series which fans can visit.
From stunning castles to magnificent manor houses, there are plenty of filming locations up and down the country that fans can get that perfect Instagram shot in.
Here FEMAIL reveals the popular social media
Elizabeth Debicki slipped into a red shift dress on Thursday as she once again transformed into Princess Diana to film new scenes for Netflix hit The Crown.
The Australian actress, 32, bore a remarkable resemblance to the late royal as she joined actor Rufus Kampa, 16, – who plays a young Prince William – on set in Palma De Mallorca, Spain, with the two seen boarding a speed boat.
Filming of new scenes came just days after work on the
Asked why her team’s next home game on Sunday is being played in Istanbul instead of in its usual setting, the official from the Turkish club Trabzonspor said the turf at the team’s Senol Günes Stadium had been damaged after — in her words — “some people got on the field in our last match.”
Her description was entirely accurate, and yet her words did not quite do justice to the significance and scale of what took place on the
Prasanna Puwanarajah transformed into disgraced BBC journalist Martin Bashir as he was seen on the set of The Crown this week.
The actor, 40, was filming scenes for the Netflix drama that recreate the time of Bashir’s deceitfully arranged Panorama interview with Princess Diana in 1995.
Dressed in blue jeans, a black leather jacket and glasses similar to those worn by the journalist, he appeared alongside Michael Jibson, as ex-Panorama editor Steve Hewlett, as they drove along a country road.
