On a trailer at the skater area in the Gernlinden district of Maisach, a young woman whines, flirts, philosophises, sings, and chatters, and every now and then she slips into different roles. The cabaret artist, black skirt, black, airy blouse and bright red pumps, from the Altötting room wants to “wake up the seven chakras” in the audience. For Franziska Wanninger this is easy, not only because only about two dozen visitors came to the event organized by the Maisacher Brewery as part of the “Volksfest bei dir” series, but because she knows how to integrate people into her stories and the situation to get the best out of it with humor. And because it often gushes out of her like a waterfall in different dialects and without interruption, the frequent applause from the scenes is mostly drowned in her modulated linguistic wit.
Brewery boss Michael Schweinberger regrets that the offer was not well received and hopes to be able to welcome more guests to the other music, dance and cabaret evenings. Because two events had to be canceled because of the bad weather, the low attendance figures are not exactly encouraging, one visitor said sympathetically. “Franzy” takes it calmly and, above all, always with a laugh. “De hod perhaps a Gosch’n” is heard and that the woman in her mid-thirties “did not fall on her mouth”. “Maisach griaß Eich!”, The cabaret artist shouts loudly over the empty rows of beer tent sets into the evening sky: “There’s got to be a big party somewhere”.
In her multi-faceted play “Feartlos Glück” she quarrels with herself because she “hasn’t gotten any” yet. And because she suspects the reason for this to be in her many “everyday-touch-me-not-protective functions”, she attends a seminar to get rid of them so that she can become fearlessly happy. In fact, the cabaret artist is not afraid of anything, not even the dentist who becomes her great love.
Until then, however, there is a long way on which Franzy not only turns her life with all her worries outward, but also mimes her changing interlocutors. “If you always think of me, that’s Amore,” she warls longingly into the evening sky. Sometimes she meets “an schertn Münchner” in the S-Bahn, whom she voiced her opinion in coarse Gossen language. Sometimes she is a somewhat affected “Preissin”, and sometimes she tells the folk festival waitress how she treats the guests, “so that the chicken goes somewhere and nothing else, so that I ned so weid renna and have to stay for a long time”. – “A price who doesn’t tip me with the first measure, let me dry out,” she reveals, and Andy, the dear dentist, keeps coming back to her mind, “a doctor who always makes you the same.” flattens “.
She would like to be brave like Pippi Longstocking, but finds the real heroes in the men who bring old women the glass from the upper shelf. With the empty benches in front of her, Franzy dreams: “I want to spit amoi in front of a full house”, only to say, “Hey, you’ve had enough.” She speaks skillfully and wittily to guests and even if she has a text mishap, she improvises a funny story out of it.
The “Volksfest bei dir” program of the Maisacher Brewery will include the cabaret artists Stefan Kröll and Josef Brustmann as well as music and dance evenings until August 12th. Further information and ticket reservation at www.brauerei-maisach.de