Of
Jacob Biazza
It’s a point of honor that this record starts straight off with a keyboard melody that’s a pop god when it comes to timing, after all a particularly moody son of a bitch. So he got Christian Hummer four days before the new one was released Wanda-Album, but left the melody, and in the end it doesn’t matter whether Hummer still had the strength to play it himself. Fantum, love and the stupid human brain don’t work rationally. That’s why nothing and nobody in pop is ever completely gone, no matter how far away.