Munich: Tips for the strong theater month of October – Munich

October is an incredibly strong month for theater. The first premieres have already taken place, the repertoire is now running, new evenings are being added, and there will also be two festivals in Munich. Basically, everyone should find something to suit their taste – and should also go there to support the diversity and greatness of the theater scene, which is currently under severe threat from urban austerity measures.

A special feature is the biennial festival rodeo from October 9th to 15th. There are twelve productions selected by a jury to be seen here, and she viewed 100 of them live. It is the best-off of the independent scene, which is spread across several venues and presents, for example, the successful production “Radical Cheerleading” by Zufit Simon, Ines Hollinger’s one-woman horror show “Heimsuchung” or “Nachtstück N°5”. O-Team, where you sleep in your own bed in the theater.

As soon as the rodeo is over, the magical and political puppet theater festival begins Wonder.which runs from October 16th to 27th. The venues are spread across the city and 38 productions from Israel, France, the Netherlands, the Czech Republic, Spain, Belgium, Denmark, Switzerland and Germany are invited. A density that you never see otherwise. The focus is on robotics and AI.

The independent scene is adding a little more to this huge program: the inclusive Freie Bühne Munich will be showing in the Werkraum on Friday, October 18th The yellow soundinspired by Wassily Kandinsky, directed by Verena Regensburger. On the same evening, TamS starts with Lorenz Seib’s production Flamingos from Bielefeld into the season, creates bizarre encounters between animals and things. Dominik Wilgenbus makes out at the Hofspielhaus Around the world in 80 days a musical spectacle and the rational theater helps shape it Jinn an evening about AI (both on October 24th).

This abundance is lively and dazzling, but it is not everything. A city like Munich currently has a lot to offer. The three big houses each have two premieres in October. The first is on October 9th in the Volkstheater on the smallest stage in the house. The ensemble members Liv Stapelfeldt, Anne Stein, Jan Meeno Jürgens and Steffen Link try their hand at the premiere of five minutes of silence by Leo Meier in getting along without a director – and somehow creating these five quiet minutes. On October 24th it will be the turn of artistic director Christian Stückl: he will publish the novel about the film director GW Pabst by Daniel Kehlmann with the title Light play on the big stage.

The co-production with the Salzburg Festival “Sternstunden der Mensch” is now coming to the Residenztheater stage after its premiere in the summer. (Photo: Sandra Then)

At the end of Kafka’s year on October 11th, the Kammerspiele will be bringing in his novel America/The Lost One to the Schauspielhaus, directed by Charlotte Sprenger. A day later there is a completely opposite evening, the dance theater piece Balau by Serge Aimé Coulibaly in the Therese-Giehse-Halle.

The State Theater and director Johannes Holmen Dahl are dedicating themselves to a theater classic, Henrik Ibsen The wild duck. In it – as in Kafka’s “America” ​​- the capitalist system affects the family structure (premiere: October 17th). And finally comes with the Great moments of humanity According to Stefan Zweig, the co-production with this year’s Salzburg Festival will be coming to the Residenztheater on October 19th. It is one of Thom Luz’s free, associative works.

So wonderful diversity. Everyone should really find something there, right?

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