For Léa Seydoux, the #MeToo movement has allowed “more respect on film sets”

After Greta Gerwig, the current president of the jury of the Cannes festival, who declared yesterday to see “positive changes” in the cinema sector, it is the actress Léa Seydoux who, this Wednesday, May 15, 2024, welcomed the impact of the #MeToo movement and the freedom of speech on sexual assault in cinema.

“I see that there is respect on set, that sometimes there is no longer this familiarity, even for intimate scenes. I feel this global change, that respect is more present,” declared the French actress starring in the film. The Second Actby Quentin Dupieux, which opened the 77th Cannes Film Festival.

A “fundamental” freedom of speech

“The film also talks about this movement for freedom of speech which was fundamental. I am witness to this change because I was also an actress before and now I see the after”, underlined the one who received a Palme d’Or for The Life of Adelein 2013, alongside his partner Adèle Exarchopoulos and director Abdellatif Kechiche.

Shortly after, she denounced the tyrannical character of the director, the hundreds of takes for the same scene, attracting lasting enmity from Kechiche. Adèle Exarchopoulos, whose first major role was at 19, spoke of “ten whole days shooting” the very long – and very crude – sex scene.

“I was respected; well, more or less”

“Even though mishaps happened to me, I was an actress who was very lucky when I started. I worked with people, I was respected, all the same… well, more or less, however, nuanced Léa Seydoux. I cannot compare myself to some who have experienced extremely serious things. »

She also highlighted the fact that her status as a “recognized” actress “protects” her. “It’s still when you’re a young actress, so when you’re vulnerable, that it’s more difficult,” she stressed.

Our “#MeToo” file

As a reminder, Léa Seydoux was one of the very first women to denounce, in 2017, the behavior of former Hollywood producer Harvey Weinstein. She also said she had received sexual advances from directors with whom she worked.

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