Two people are sitting in a car and talking a lot. That sounds boring as a film plot, but in reality you can win an Oscar for it, like Ryusuke Hamaguchi with “Drive my Car”. The car is a transit space and safespace in one, also in Christian Carion’s “In a Taxi with Madeleine” or Jafar Panahi’s “Taxi Teheran”. A kind of rolling hotel: when people are only together for a limited time, many things can be discussed openly.
“Daddio” in the cinema: The truth about men and women – Culture
