City history – Through the fire protection door into the future – District of Munich

When the visitor climbs up to the museum in the near future, he follows the path of light. At the top at the end of the narrow staircase, it shines gold-colored. A skylight and brightly designed walls make the entrance area look inviting and signal that this should be an illuminating place. The color concept in the newly designed and conceived city museum in Unterschleißheim is well thought out. In the museum, not much should be reminiscent of the local history collection that had been amassed there over the years. But almost everything was destroyed because of the fire protection.

Head of the Department of Culture Daniela Benker does not want the impression of the room with open passages to be destroyed by fire protection regulations.

(Photo: Stephan Rumpf)

Unterschleißheim is an up-and-coming city with growing industrial areas and many jobs for highly qualified people. You want to present yourself accordingly. But there is still a lot missing at the moment. The community center is in need of renovation. The new city center has so far only existed on paper. And on the front door next to the Café Cupcake you can still read old-fashioned “Museum parlor” on a sign. But soon the entrance will lead to the new city museum, a place of learning that Daniela Benker, Head of the Department of Culture, has longed for months: “a city museum that stands up to modern standards”.

City history: the museum is supposed to "modern demands" suffice.

The museum should meet “modern standards”.

(Photo: Stephan Rumpf)

The rooms are largely completed. There is no longer any trace of the two former apartments for municipal employees, in which a jumble of old objects had been presented for a long time. “There were 20 flails here,” says Benker as he walks through the rooms, where there are dozens of milk cans. They mucked out a lot. In the future, few objects will be shown that can be used to tie stories. A modern “museum machine”, according to Benker, is to be set up on which visitors can zoom into the history of the city on an interactive screen and call up films. The story of the rise to a high-tech city and the surrounding area should be conveyed. Peat cutting will be an issue. “You need a story,” says Benker. And: “We tried to create the impression of a room.”

City history: already two opening dates could not be kept due to the pandemic.

Already two opening dates could not be kept due to the pandemic.

(Photo: Stephan Rumpf)

Exactly this museum space, which had already been created from the entrance area painted in golden color and the red area of ​​the city’s history and the blue area of ​​art history, was suddenly in danger to the museum makers’ great desperation. The doors of the two apartments were removed and a carefully composed museum structure was created when the building authorities wanted to start installing two fire protection doors based on a fire protection concept drawn up in 2007. You would have “popped it in”, says Benker, “that’s brutal”. And it describes how the situation was saved at the last moment with an alternative fire protection report. Now the skylight is only to be removed in the entrance area in order to improve the smoke extraction there. That should be enough.

The building committee of the city council decided on Monday evening. Now the installation of the museum equipment is to take place as soon as possible, which is largely ready. In the red area, objects will lead back to the past. In the blue area, 32 works from the collection of landscape paintings that Manfred Graf donated to the city are to be shown. Readings are also planned there. Two doors lead to a terrace that could be used for cultural events. An opening date was already set for June, and a second also passed. Benker does not want to name another date. But it is time, she says, to get out of the parlor phase. The entrance area from Rathausplatz is also to be redesigned. The work goes on.

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