At the end, Wotan holds the ring that promises world domination in his hand and shouts the final word: “Back from the ring!” This is astonishing in that Wotan appears in “Twilight of the Gods,” the fourth and final part of Richard Wagner’s “The Ring of the Nibelung.” , no longer appears at all; in “Siegfried” he already disappears as a wanderer in mythical worlds. Normally. In Benedikt von Peter, Nathan Berg also appears again and again in “Twilight of the Gods”, as a silent observer until the final word. However, no one here is interested in the fact that the god, who is no longer a god for a long time, has the ring, i.e. the power. Led by Trine Møller, who is incredibly complex in terms of acting and who sings to the limit, who is present as Brünnhilde throughout the entire “Ring” because the entire story is told as her very human memory, the entire stage crew parades through the auditorium then. The orchestra announces the idea of a new beginning, the stage is cleared, and Wotan is left as a lonely patriarch without a kingdom.
Less than 1 min.Read