If too many are jumping around the scene, things can get confusing. Lonely only Murot solves cases in Wiesbaden, in Dortmund four investigators are standing around the corpses, in Bremen there have recently been three. Every commissioner and investigator has a package to carry, old cases haunt one, the origin or a corked private life the other, and everything comes up at some point. In that regard was the crime scene It has not been under-complex for a long time.
In Bremen, Mads Andersen (Dar Salim), Liv Moormann (Jasna Fritzi Bauer) and Linda Selb (Luise Wolfram) investigate for the second time. The debut was strong, the story about the mysterious Copenhagen investigator Andersen, who helps out in Bremen, a new twist in something that has become a little cozy crime scene from the Weser. In the thriller “And the night always wins”, a doctor who also cares for the homeless and illegal is run over by a car in the harbor and beaten with an iron bar so that not much of his face is left.
The colleague from Copenhagen’s mysterious past is now having serious consequences
The investigators go on a search, the spectators get synapse burn. The following are introduced as suspects in rapid succession: The nice but greedy office hours assistant. A senior daughter and her friend with prison experience, whose disabled brother is turned away by the doctor’s assistant and is now in a coma. The rough crew of the ship “Always Lucky” anchored opposite the corpse. Or was it the homeless? Is there a woman behind it?
At the same time, Christian Jeltsch (screenplay) and Oliver Hirschbiegel (director) shed light on Andersen’s mysterious past. The commissioner has therefore exposed a criminal clan in Copenhagen, whose members are angry with him to this day. He should therefore be promoted to the back office. That’s too boring for him, so he steps in in Bremen, where he can then, in Jean-Claude-Van-Damme manner, people with a lot of “Uh!” and “Ah!” beat up.
Many topics are touched on, many suspects are in the game until the end. That makes the thriller exciting, but also breathless. In the end, the many storylines interweave a little very constructed into one story. And the human side of the investigators also has to be included in the jam-packed film. A lot is about origin and status in society. Moormann defends her street smell, Andersen settles bills from his time as an undercover agent, and Selb quotes Goethe with Hanseatic paleness. He is said to have said: “I cannot imagine a crime that I could not have committed too.” So everyone can be a murderer. Interesting as a mind game, quite exhausting as a red thread for a crime thriller.
The first, Sunday, 8.15 p.m.